Storyboard workbench with a built-in agent
Multi-scene AI video on one screen. The agent writes, draws, films and renders every scene, and shows you the bill before it spends a credit.
Short clips are the easy part
Any model will give you five seconds. The work is everything around it - breaking an idea into scenes, keeping one face across all of them, drawing each shot, filming it, trimming it, and merging the result. The video editor is that whole workflow on one screen, and an agent can drive every part of it.
Every scene is one image and one video. The only structural choice is what that image is a picture of, and you make it when you create the scene.
One frame, one clip, one moment. The script is a line or two, the image is generated from it, and the clip is filmed from the image.
One storyboard sheet holding 2 to 12 numbered shots, the way a storyboard artist draws one, filmed as a single continuous clip by a reference-to-video model.
A six-shot scene costs one image call and one video call instead of six and six. Nothing is cut afterwards: the shots live inside the picture, and the sheet is shown whole in the row and in Properties.
No tab split, no second place to press generate. The storyboard is the canvas and the rail follows whatever you select.
The workbench
1.
One row per scene, in order. Drag to reorder, hover between rows for an insert point, and generate from the row itself - the status column is the only place generation is offered, and it is identical for both kinds of scene.
2.
One clip per scene on a single track with a real ruler. Hover a clip to preview it, drag its trim handles, and render the track into one file. Versions are found in the project folder, so a render made anywhere shows up.
3.
Agent, Elements and Properties share one collapsible column beside the canvas. Selecting a scene switches it to Properties. Expanding narrows the canvas rather than covering it.
4.
The whole storyboard in one scrollable view - every scene with its image, its script and its models. Export it as a PDF storyboard for a client, a team or an approval round.
Type @ in a script to reference a character, product or location. An element is usually a character sheet - front, three-quarter, side and back - and the whole sheet is sent with every generation that scene takes part in.
Image and Video both show the composed prompt, marked Generated. Edit it and it becomes Overridden and is used verbatim. Reset goes back; Rebuild recomposes from the current script, look and elements.
Rewrite a script or change a shot count after the image was made and the row shows Changed since drawn, with the header counting them. Nothing redraws by itself, because a redraw costs credits.
Any scene can take an uploaded image or clip instead of a generated one, and an end frame where the model films between two stills. Mix real product shots with generated scenes in one storyboard.
Describe the video and it writes the storyboard with you. It runs the same operations the buttons run, so anything it does you could have done by hand - and it appears on screen the same way.
What it can do
It sees the storyboard, the models and what is already generated, exactly as the screen shows it.
A whole storyboard in one go, or add, update, split, reorder and delete scenes one at a time.
Generate a scene's image, then film its clip - single frames and multi-shot sheets alike.
Attach an element to a scene as a reference, and render the finished track into one file.
Before it writes anything it asks whether you want a few longer multi-shot scenes or one shot per scene, because that decides the shape of everything else. It asks its other questions in the same breath, once, and never asks about what it can already see.
Before the agent spends more than a credit it stops and shows you the cost. Generate missing works the same way: you see the line items and the total before it runs. Approve spending for this project answers the question automatically from then on.
Image and video models are set per project and can be overridden on any single scene. Multi-shot sheets are filmed by reference-to-video models, which read the whole sheet.
Draw a scene's frame or its storyboard sheet
Multi-scene work where the same face, product or place has to survive from the first shot to the last.
16:9 spots and corporate pieces where the product and the presenter have to look the same in every shot, and a client signs off on the storyboard before anything is filmed.
9:16 content for TikTok, Reels and Shorts, where one character sheet keeps the same face across every episode rather than a new person each time.
Upload the real product photography for the shots that must be exact, and generate the atmosphere around it. Both live in the same storyboard and the same render.
A run of continuous action - a process, a walkthrough, a demonstration - drawn as one storyboard sheet and filmed as one continuous clip rather than six disconnected ones.
Get the whole storyboard drawn and reviewed as a PDF before committing credits to video. The images are cheap; the clips are where the spend is.
Describe the video, answer one question about the approach, and let the agent write the scenes, draw them and film them. Then take over the rows you want to change.
What the workbench does, without the marketing words around it.
Generating a clip gives you five to ten seconds from one prompt. The video editor is the production around that: an idea becomes a storyboard of scenes, each scene gets its own image and its own clip, elements keep the same character across all of them, and the track merges into one file. You can still pick Veo, Sora, Kling or Seedance - they are the models doing the filming. What is added is the storyboard, the consistency and the assembly.
Start free, and only pay for the images and clips you actually generate.
What you get
